thomas cole artist signature

Estimate: Art entitled "Thomas Cole; Paintings of an American Romanticist" (January 26-February 28, 1965). AFTER THOMAS COLE (AMERICAN 1801-48) GICLEE, "THE DISTRIBUTION OF EMPIRE, FROM THE SERIES THE COURSE OF THE EMPIRE". Sign in to view your bids, favorites & more! Original: $2,000. 1), the present work is 'clear and brilliant. Identify artists signatures and monograms. Cole was the founder of the Hudson River School, which was a group of landscape painters … In the fall of 1825, Cole travelled on a steamship up the Hudson and Erie Canal. A hundred small details enhance the composition. The Estate of Gerald M. Bordman, Bala Cynwyd, Pennsylvania. Estimate: They bought a painting, and his reputation was made. (49.53 x 39.37 cm), Estimate: THE VOYAGE OF LIFE: YOUTH AFTER THOMAS COLE (AMERICAN, 1801-1848). Approx. Cole included lots of little details so that every time you look at the painting you can find something new. The present painting derives from one of the oil sketches (number 1 and/or 2 above) and a graphite drawing of the subject, entitled 'Kenilworth Castle, Warwichshire, England, 1841' (Founders Society Purchase, William H. Murphy Fund). The castle itself seems larger and more imposing. $30,000 - $50,000, Description: He set out to be a traveling portrait painter himself. Manner of Thomas Cole (American, 1801-1848), "St. George Slaying the Dragon", oil on canvas, signed "T. Cole" lower left. 12 3/4'' x 16 3/4''. Artists' Signatures offers FREE access to over 100,000+ artist directory listings in our database. It is noteworthy that the towering cloud formations in this painting resemble the shape and coloring of the formation in the painting under consideration. $50,000 - $70,000. note:/span When Thomas Cole was commissioned by Thomas H. Faile to paint an Italian coastal scene, the artist persuaded Faile to accept instead, paintings of a favorite English site. Unable to detect further restoration under UV light. The sculpture retains what appear to be the original reigns, intact. His family moved to America in 1818, where his father started a wallpaper factory. $3,000 - $5,000, Description: Descriptions provided in both printed and on-line catalogue formats do not include condition reports. Original Water Color by M. Cole Thomas , Size Approx. 'Ruins of Kennilworth (sic) Castle, England, 1843' (formerly in the collection of Thomas H. Faile;' present whereabouts unknown); 4. As always, […] Vol. Accession Number: 04.29.2. $2,000 - $10,000. (49.2 x 41 cm) Classification: Paintings. Not examined out of the frame. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. The Oxbow (ou Vue depuis le mont Holyoke, Northampton, Massachusetts, après un orage) est une peinture de paysage séminale de Thomas Cole, fondateur de la Hudson River School.La peinture représente un panorama romantique de la vallée de la rivière Connecticut juste après un orage. gear, including a portfolio bearing the signature of Thomas Cole. John Taylor Johnston (Bowman Johnson). Thomas Cole was the first of the Hudson River School of painters, often characterized as being the first native American school of painting. For additional photos, please email Of course he meant "Max Cold" because that's what was written on the a/c controls. Painting in good condition with craquelure. Cole's unexpected death on February 11 in 1848 at the age of forty-seven was deeply mourned in New York art and literary circles. Artist: Thomas Cole (American, Lancashire 1801–1848 Catskill, New York) Date: 1833. Condition Report: Il étudie d'abord la peinture avec John Boyd et plus tard avec Nathaniel Jocelyn [1].. En 1838, il expose deux tableaux à la National Academy of Design; l'année suivante, il s'installe à New York et ouvre un atelier. THOMAS COLE (american 1801-1848)/span SKETCH FOR "THE ARCH OF NERO" Signed 'Thos Cole' bottom right, pencil on paper 3 x 5 in. Washington, D. C., Adams Davidson Galleries, Displaying Item 1 - 30 of 144 in total from a virtual gallery of more than 100 Thomas Cole sketches and paintings. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Thomas Moran was born on February 12 th, 1837 in Bolton, Lancashire, in the English industrial heartland which was also the childhood home of America's pioneer landscape painter Thomas Cole.Born to Mary (née Higson) and Thomas Moran Senior, Moran was one of seven children. 0. Description: Please enter a valid email address ( 8" x 11 In. Thomas Cole by Earl A Powell. Doyle New York shall have no responsibility for any error or omission. AFTER THOMAS COLE (AMERICAN 1801-48), GICLEE, NIAGARA/HORSESHOE FALLS. Artist Signatures for Thomas Cole 2 signatures available to subscribers. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. Moran's impact on Yellowstone was great, but Yellowstone had a significant influence on the Shop for artwork by Tom Thomas. 22-3, 373-4). 50 X 60"; FRAMED 51 1/2 X 61 1/2". It is likely that this painting has never been conserved. Condition Report: Doyle New York shall have no responsibility for any error or omission. 24"h. 30"w., in a period gesso and gilt frame, 30"h. 36"w. Condition Report: The painting's likely provenance, the details of its execution, the choice of colors, the composition, the handling of paint all point to Cole's authorship." To achieve this effect, Cole diminishes the relative size of ancillary elements such as the wall, the figure in the foreground, and the birds circling the tower to the left…(with) luminous colors and convincing detail…' (Alan Wallach, letter of October 12, 2011). Examination in UV light indicates a medium thick natural resin varnish and no retouching. (February 1, 1801 ? Description: Framed and matted; examined out of the mat, the actual full sheet size is: 5 1/2 x 7 1/16 inches. Yet as he rested by the roadside he found himself powerfully drawn to the wilderness surrounding him, he decided to become a landscape painter and left for New York City where prosperous merchants were eager to purchase paintings for their new mansions. Thomas Cole is seen as the founding father of the Hudson River School, a group of American artists who sought to depict the untainted majesty of the American landscape, particularly that located around the Hudson River Valley in New York State. Brush strokes are much smaller…Forms are more precisely articulated, contrasts between light and dark subtler and more attenuated. It is framed in a period walnut frame with a silver gilt liner, under glass. In late summer/early autumn 1825, he set out on his first of many sketching trips up the Hudson River, including stops at the Highlands, West Point, the Mohawk and Hudson Rivers and the Kaaterskill Falls in the Catskills. Sheep graze within the ruined walls of the castle. Description: Harry N. Abrams, Inc., Publishers, NY (1990). The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. For a condition report, please email THOMAS COLE Three studies of trees. Losses to the frame. Expansive landscape with figures painting depicting a galant St. George riding on black horse in center of foreground slaying a serpentine dragon on ground below. START EXPLORING. If we compare Constable's Cloud Study, Hampstead, trees at right 11 September 1821 with Cole's Clouds, both works look as if they were painted on the spot. 'Study for Ruins of Kenilworth Castle, England, circa 1842-3' (private collection, location unknown); 3. Description: Lot 5: THOMAS COLE Italianate Lake Scene. Description: Label: In 1826, fresh from the success of his painting View of Fort Putnam, Thomas Cole accepted an invitation from George William Featherstonhaugh to winter at his estate in upstate New York, where the artist produced paintings in return for room and board.More than just a record of what he observed on the estate, Cole's depiction is also a "portrait" of his patron. Thomas Cole??????????? There are some minor, unobtrusive handling creases and an apparent pressure mark (linear) at upper center left. Thomas Hill was born in … 8 x 11 In. Condition Report: The paintings are: 1. YES NO Current total results: 0. John William Casilear (June 25, 1811 – August 17, 1893) was an American landscape Thomas Cole's Poetry: The Collected Poems of America's Foremost Painter of the Hudson River School by Thomas Cole, Marshall B. Tymn (Editor). Pencil on paper, circa 1840. Thomas Cole was born in England (1801), the only boy in a family of seven children. © 1986-2020 Invaluable, LLC. Max Cole was born sometime in the 70's. Thomas Cole [English-born American Hudson River School Painter, 1801-1848] Guide to pictures of works by Thomas Cole in art museum sites and image archives worldwide.'s price levels for this artist … This painting was featured in Adam A. Weschler & Son on May 15 through 18th 2004. It can be hard to identify a particular artist from their signature. 12 1/4 x 18 1/4 inches Provenance: Estate of Thomas Cole (Possibly); Private Collection, Alexandria, Virginia. Lot 7: Thomas Cole American, 1801-1848 Clouds, Lot 9: Thomas William Cole, XX, Watercolour, Two gentlem…, Lot 12: Thomas Cole 1843 - Pencil on paper 10.7" x 8.8" COA, Lot 14: Thomas Cole American, 1801-1848 Cross on a Hilltop. A condition report from Tom Yost accompanies the lot. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Pheasant Shooting Painting . 0 0. This painting is executed on pre-primed linen and is unlined. Vol. (February 1, 1801 ? Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist known for his landscape and history paintings. 8 1/2 x 12 inches We do have a list of suggested shippers who gladly provide quotes prior to your bidding. Browse more than 4,000 artists represented in the Tate collection He had set up shop as a wallpaper maker, and Thomas helped his father with designs and was shown how to paint likenesses by an itinerant portrait painter who traveled from town to town in early America. Signatures, Inscriptions, and Markings. The Artist. Auction Records. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Year: circa 1846 He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire. Thomas Cole was an early leader of the Hudson River School and is commonly referred to as the founder. There are two more small retouches in the lighter part of the cliff in the upper right. Description: Our artist discovery tool will show you the best artists you've never heard of. Cole lived there with his wife and her sisters until his death in 1848. All lots should be viewed personally by prospective buyers to evaluate condition. Credit Line: Gift of Samuel P. Avery Jr., 1904. The most pronounced area of foxing is an approx. note: /spanGenerally credited as the founder of the Hudson River School, Thomas Cole arrived in New York in 1825 after spending two years in Ohio and a brief period in Philadelphia. The artist was a keen observer of skies and weather conditions and they play a central role in almost all his landscapes, for example, in his famous Oxbow of 1836. Dense varnish. The painting is somewhat slack on its stretcher. We see no evidence of any restoration. Cole 1825' bottom right, oil on canvas 12 x 16 in. $3,500 - $4,500, Description: All sales are final, Elite Auctioneers, LLC does not give refunds based on condition. Painting has a few tiny flecks of paint loss here and there. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations. Thomas Cole died before he was able to complete his final group of paintings, titled The Cross and the World. THOMAS COLE (american 1801-1848)/span "PART OF THE RUINS OF KENILWORTH CASTLE" Signed 'T. Comesframed in gilt wood frame. Repaired chip losses at the corners. and inscribed T. Cole on the reverse Oil on canvas 6 x 12 inches Provenance: The artist By descent in the family Exhibited: Catskill, New York, The Thomas Cole National Historic Site, Thomas Cole's "Sketch" Paintings: An Exploration of the Creative Process, May 4-Oct. 28, 2008 C The Spanierman Gallery, LLC Collection of American Art. Other Notes: In addition to a letter of authenticity from Allan Wallach, a letter from Barbara Novak discussing this work accompanies the lot. He returned to New York by the end of September 1825 to transfer his Hudson River sketches to canvas. These retouches are all minor and the work should be hung as is. Garths can not ship this item due to size. Your email address or password is incorrect. There is additional inpainting at the edges under the rabbet to address frame rub. THOMAS COLE American (1801-1848) "Landscape with Two Figures at Sunset" oil on canvas, signed lower right and dated 182?, titled on the reverse. (30.5 x 40.6cm) provenance: /spanKennedy Galleries Inc., New York, New York. Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Superior Quality Reproduction Comments: scattered areas of inpaint. He was the shy and sensitive son of an English immigrant who settled in Steubenville, Ohio, where he arrived in 1818. Please Note - we do not make reference to the condition of lots within descriptions. 8 x 11 In. As seen in the catalogue photo, the drawing has extensive foxing, most of it in the form of minute clusters. Thomas Cole American, 1801-1848 Cross on a Hilltop Initialed T.C. 87x155 mm; 3 1/2x6 1/8 inches. The effects he achieved depended upon subtle handling of color. Lot 61: THOMAS COLE, (AMERICAN 1801-1848), SKETCH FOR "THE ARCH OF NERO", Lot 62: ATTRIBUTED TO THOMAS COLE, (AMERICAN 1801-1848), HOUSE AND TREES, Lot 79: THOMAS COLE, (AMERICAN 1801-1848), "PART OF THE RUINS OF KENILWORTH CASTLE", Lot 90: Thomas Cole, Woman with Wreath (Maria Cole), Pencil and Chalk Drawing, Lot 93: Thomas Cole Landscape Oil Painting w/ Waterfall, Lot 103: AFTER THOMAS COLE (AMERICAN 1801-48), GICLEE.

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