best landscape lens for sony a7iii

f/1.8 happens to be the sweet spot when shopping for a bargain Sony full-frame lens – build quality is good enough, depth of field is shallow enough, and best of all, the price is just right! And unlike most zoom lenses, the 16-35mm f/2.8 GM has received almost unanimous praise. It’s IF (Internal Focusing) auto focus system is compatible with both phase detect and contrast detect sensors for fast, quiet and accurate focus detection. It’s one of the fastest extreme wide angle lenses on the market and delivers good quality wide open. When shooting on an APS-C camera the lens is … Getting a subject into focus is swift and noiseless, with minimal hunting even in low light. But if you're going to go wide, it may as well be the widest of the bunch. You can remap the button’s function to something like turning Eye AF or other frequently-used settings on instead. For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of field, and color rendition. Sony A7III | Sigma 14mm 1.8 Art | f/1.8 | ISO3200 | 20s | 10 image stack | ©Haitong Yu . This makes it useful for portraits and sports photography where you want to separate the subject from the background. The body is made from aluminum and has a nicely knurled focus ring. After doing many kinds of research on the best lenses for Sony A7iii, we decided to give this modern and superb camera lens from Sony a try. This lens is less than $239 on And it has smaller size and lower price than the Sony 50mm f/1.4. Sony FE 24-70mm f/4 ZA OSS ($1,198): If you can’t afford the FE 24-70mm f/2.8 GM lens, the FE 24-70mm f/4 ZA OSS lens will be a great choice for you! Ideal for Photojournalists, sports and wedding photographers, it covers portrait-length to telephoto perspectives and it is sharp, focuses quickly, has minimal distortion. Ideal for general photography! This is a moot point if you’re snapping landscapes on a tripod, but the a7III’s IBIS might not be enough for run and gun shooting. It’s an all-out portrait lens for the full-frame camera. No other lens in the guide comes close to the way it handles direct sunlight. You can choose the one you need. The precisely configured 9-blade aperture delivers smooth, pleasing bokeh at all settings. Rokinon AF 50mm f/1.4 FE Lens ($699): Designed specifically for Sony full frame E-mount cameras, this new high speed prime combines advanced optical technology with a fast, quiet and precise auto focus system. Bright f/2 maximum aperture benefits working in low-light conditions and also offers control over the focus position when using selective focus or shallow depth of field techniques. Rokinon 50mm F1.4 Lens for Sony E Mount . Innovative focus ring and quiet autofocus. Built-in Optical SteadyShot image stabilization minimizes blur that can occur during low light or macro shooting. The Sony FE 24mm F1.4 GM is a wide angle lens for Sony a7III that covers an image circle of approximately 32mm. The best zoom lenses for the Sony a7 III. We have separated the primes from the zooms in the following sections and categorized them into wide-angle, standard, and telephoto lenses. Sony FE 24mm f/1.4 GM ($1,398): Highly recommended!Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape… It acquires targets fast, but you should use the a7III’s continuous focus mode for optimum results. It doesn’t look as comical attached to the a7 III as Sony’s telephoto lens, and its build quality is improved thanks to an aluminum body. Finally, the SEL85F18 85mm F/1.8-22 can create a wonderfully shallow depth of field with creamy bokeh that puts subjects first while rendering the background free from distractions. Sony FE 12-24mm f/4 G ($1,698): Sony’s widest full-frame E-mount lens. It features fast, precise, quiet DDSSM autofocus, and close-up capability up to 0.25x magnification. A full-frame 24mm to 240mm zoom range allows this lens to cover an extensive variety of shooting situations with 10x effective zoom range, making it ideal for landscape, snapshots, portraits and travel where reducing luggage is a priority. We pomise.). This improves its build quality as there are fewer moving parts. Best Lenses for Sony a7 III full frame E-mount mirrorless camera. The lens has a focal length that accommodates portraiture under the right circumstances. Even many of the toughest Sony critics have raved about this lens. Sony Zeiss FE 16-35mm f/4 ZA OSS ($1,348): Excellent lens for landscape photography! We love how balanced the lens is. Explore each of our choices and get even more awe-inspiring results from your camera. Best Standard Prime Lenses for Sony a7 III. CLICK HERE FOR THE LATEST PRICE OF THE SONY 16-35MM F/2.8 2. 75 thoughts on “Sony FE landscape lenses – Part 1: Only the best is good enough” Göran Nilsen says: November 11, 2017 at 8:23 pm My pick would be: Voigtländer Wide Heliar 15mm f4.5 for sony e (but it would bee better with tilt shift functions) Loxia 21mm f2.8. And it’s an okay solution for those on a budget. It’s also coated with fluorine, which helps with maintenance since this prevents smudging and causes water to slide off. In this article, we’re going to look at the best landscape settings for the Sony A7R III and other full frame E-mount cameras. Designed as the ultimate portrait lens, the new Sony FE 85mm F1.4 GM telephoto prime lens strikes a perfect balance between resolution and bokeh in a compact package. Perfect macro lens for Sony A7 series mirrorless cameras. This Rokinon 50mm lens is a great budget option for the A7iii camera. Macro is the way to go when you’re into close-up photography, but the Sony FE 90mm f/2.8 Macro G OSS demonstrates that this is not the only thing it can do. Despite its compactness, the super wide-angle Zeiss Loxia 21mm f/2.8 Lens offers outstanding image performance – and it is extremely sharp all the way to the corners. Coupled with image stabilization from it and the camera, this produces smooth results and rapid target acquisition. Here are the top recommended Sony a7 III lenses. The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. Its fixed focal length of 85mm allows it to be squat and have fewer moving elements than zoom lenses. A rapid extra stepping drive powers the lens. This is the lens to get if you’re a portrait or architectural photographer. 1. Great quality and a much better price than the native lenses. There’s no image stabilization. However, you’re getting nuanced focusing capabilities in return. The Sony FE 28mm F/2 is the best lens for Sony A7ii users who recently switched over to Sony’s side. For everyone from landscape professionals to those who want to just dabble in wide-angle photography, this Sony Zeiss FE 16-35mm f/4 is one of best FE-mount lenses: impressive sharpness, fast focusing, reasonable levels of distortion, and a weather-sealed build for protection from the elements. UMC anti-reflective coatings and three aspherical lens elements combine to limit chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity. It is as sharp as the f/2.8 version for less than half the cost, but not great when natural light is low. Compared to Sony Zeiss FE 55mm f/1.8, it has better low light performance and bokeh: excellent image quality, superb sharpness, smooth bokeh and well built. Subjects are tack sharp no matter the focusing distance, and the resolution decrease towards the edges is tolerable. The bright F1.4 maximum aperture offers excellent low light performance and adds to the 11-blade aperture and aspheric elements for gorgeous bokeh. It’s wide enough to capture a city’s towering architecture or the outdoors, but doesn’t fall short when you’re taking portraits with an emphasis on the subject’s surroundings either. Tamron 28-200mm f/2.8-5.6 Di III RXD (New), Sony Zeiss FE 16-35mm f/4 ZA OSS ($1,348), Sony Zeiss FE 35mm f/1.4 Distagon T* ($1,598), Sony Zeiss FE 50mm f/1.4 Planar T* ($1,498), Sony Zeiss FE 55mm f/1.8 Sonnar T* ($998), Sony FE 70-300mm f/4.5-5.6 G OSS ($1,198), Sony FE 100-400mm f/4.5-5.6 GM OSS ($2,498), Rokinon 12mm f/2.8 ED AS IF NCS UMC Fisheye. Additionally, a T* anti-reflective coating has been applied that suppresses lens flare and ghosting when working in strong lighting conditions. Sony FE 35mm f1.4. It is an absolute must for wide-angle fans who try manual focus often and want to capture even the tiniest details of a special moment in a photo or on film. The Sony FE 90mm f/2.8 Macro G OSS’s autofocus is slow even under optimum conditions. A super wide aperture of f/1.4 makes it one of the fastest lenses for night sky astrophotography too. Sony FE 85mm F1.8. View on B&H. Best Value – Sony SEL85F18 85mm F/1.8-22, 6. Best All-Purpose Lens for Sony a7iii— Sony FE 24mm F1.4 GM (SEL24F14GM) This 24mm lens from Sony is a great choice for landscape shots, interior, and outdoor portrait photography. Your a7III will take care of inconsistencies in-camera for JPEGs, while excellent RAW quality can be attained with editing software. We have prepared a list of 7 top lenses from which you can select the best lens for Sony A7III full frame mirrorless camera.. Hands down. Blending an ultra-wide angle of view with a relatively fast f/2.8 aperture, this 14mm lens makes a great option for Sony shooters looking to get a unique perspective that is well suited to architecture, landscapes, and more. 1. Also, this lens is provided with the best Sony protection from weather conditions. This option’s standard 50mm focal length allows for versatile performance in a range of situations and gives you the ability to capture sharp, clear images thanks to the aspherical and hybrid aspherical lens elements. Consistently excellent image quality right into the corners makes the lens perfect for the challenges of, for example, landscape, astro and architectural photography. Leica elmar m … It doesn’t move when focusing, so you can attach and use polarizing filters. It’s a stellar choice for photographers and filmmakers alike thanks to its full-frame sensor, cutting-edge processor, and commendable low-light performance. An internal focus system in which only the middle optical groups move when focusing provides fast autofocus action and a short minimum focus distance of 11″. The latter two offer a refreshing take as the subject is framed surrounded by much background. However, it needs a high-quality lens to do so. Sharpness is excellent as well and best between f/5.6 and f/11. Characterized as an apochromat, the Sonnar optical design helps to virtually eliminate chromatic aberrations and color fringing, and also benefits overall sharpness and clarity. Whether architecture, landscape or also three-dimensional subjects in close-up against a spacious background – this focal length with its large image angle is an excellent addition to the Loxia lens family. Ideal for architecture, landscape, and interior photography, this lens’ 82° angle of view pairs with a 7.9″ minimum focusing distance for producing creative perspectives and unique close-up imagery. 3D Insider publishes news, tutorials, and reviews about the latest emerging tech. However, you should expect to see both noticeable corner-softness and vignetting when shooting at its widest aperture. Or, if you shoot a lot of landscapes and want the best sharpness, like using more compact lenses and the old-fashioned zone focusing (Manual Focus) and the feeling of a mechanical focus ring, then go to Zeiss Loxia 21mm f/2.8. Be it for a portrait or a street or landscape shot, this inconspicuous lens is great for helping you master these photographic disciplines. The Sony 16-35mm f/4 has always been a solid performer. Chromatic aberration is controlled well across aperture sizes, reaching a tolerable two pixels at f/22. Sigma’s award-winning Art line carries the best ultra-wide zoom lens for Sony’s excellent full-frame camera. Combine both the ultimate in sharpness with spectacular bokeh, this Sony FE 70-200mm f/2.8 GM lens is an excellent lens without doubt. The lens can create smooth bokeh at short and medium distances. The Sony 85mm f/1.8 is the best value prime lens for photographers who have a bit of distance between them and their subject. Sony Zeiss FE 35mm f/1.4 Distagon T* ($1,598): Fast, sharp, and loaded with the latest technology, the FE 35mm f/1.4 ZA offers outstanding optical performance in a versatile 35mm focal length. You’d expect a wide angle lens to be bulky and make your camera front-heavy, but the 14-24mm f/2.8 DG DN Art is slim and unobtrusive for its category. Check it out ! UMC anti-reactive coatings, three Aspherical and two ED lens elements combine to attenuate chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity with high resolution from the center to the corners of the image. Another good option is the Laowa 15mm f/2. Sony FE 50mm f/2.8 Macro Lens ($498): The new FE 50mm F2.8 Macro lens features an ED (Extra-low Dispersion) glass to effectively compensate for axial chromatic aberration at close focus, allowing it to create consistently sharp and high quality images. Sony Zeiss FE 35mm f/1.4 Distagon T* ($1,598): Fast, sharp, and loaded with the latest technology, the FE 35mm f/1.4 ZA offers outstanding optical performance in a versatile 35mm focal length. When Sony first announced the RX1 compact camera with a full-frame sensor, most people in the industry suspected that it would only be a matter of time before the company announced an interchangeable lens version of the camera. You’ll notice the cat’s eye effect when using f/2.8. If you’ve got room in your budget for a single lens after purchasing the A7III, Tamron’s 28-75mm F/2.8 Di III RXD is the one to get. Zeiss Batis 25mm f/2 ($1,299): Highly recommended!Ideal for architecture, landscape, and interior photography, this lens’ 82° angle of view pairs with a 7.9″ minimum focusing distance for producing creative perspectives and unique close-up … The lens has a dedicated AT tracking chip that keeps it glued to moving subjects for photos and videos alike. The Sony A7 III is an excellent all-around full frame mirrorless camera and so the lenses you will find in this guide are perfect for travel, landscape type of photography. Best Lens For Sony a7iii: Final Thoughts These five lenses are just the tip of the iceberg when it comes to options for the Sony a7iii. Sony FE 100-400mm f/4.5-5.6 GM OSS ($2,498): Highly recommended! Follow @CameraTimes !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0],p=/^http:/.test(d.location)? No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner to corner, with stunning background bokeh when required. There’s a model for each occasion, whether you’re interested in wide angle lenses for your travel vlog, or need a macro lens for professional-grade insect close-ups. Sony FE 24-105mm f/4 G OSS ($1,298): Ideal Travel and Walkaround Lens for Sony a7 III. The lens is weather-sealed and has a thread for polarization filters. Despite its compactness the handy ZEISS Loxia 2.4/85, a moderate telephoto lens offers outstanding image performance – across the entire image field of a full-frame sensor. The lens is also dust and moisture resistant. The focusing and zoom rings are reversed, which might take some adjusting. With all the best lenses for Sony A7iii that we’ve featured, the Sony E-Mount FE 24mm F1.4 GM Wide-Angle Prime Lens is arguably the best street photography lens for the A7iii. This lens excels at landscape and city photography but can hold its own for portraits and quasi-macro shots too. 'http':'https';if(!d.getElementById(id)){js=d.createElement(s);;js.src=p+'://';fjs.parentNode.insertBefore(js,fjs);}}(document, 'script', 'twitter-wjs'); Using the links below to make any purchase will support this site, and we'll give you more latest camera & lens news, rumors and deals. Aside from the lens flare, the Sony 16-35mm f/2.8 is my current favorite lens for the Sony a7III. The fixed focal length allows for a high aperture of f/1.8, letting you capture scenes with a pronounced depth of field and use the a7III for low-light photography. Such an accomplished camera deserves to be paired with only the finest lenses, wouldn’t you agree? The bright f/1.4 maximum aperture takes the stress out of working in lighting conditions, and provides shallow depth of field for greater point of focus control. Shooting up close at F2.8 can produce some extraordinary background bokeh. There are no lens flares, but it experiences a drop-off in sharpness and considerable hazing. The Sony SEL28F20 FE 28mm f/2-22 is the lightest and most compact lens on review, inviting you to take it along even if you weren’t planning on using it. Sony Zeiss FE 55mm f/1.8 Sonnar T* ($998): One of the sharpest lenses ever! You can use the Sony FE 70-200mm F4 G OSS during the golden hour or in large interiors without the fear of excessive hunting. Sony FE 55mm f1.8. It is a near perfect all-around camera with the best mirrorless autofocus. UMC anti-reactive coatings, three Aspherical and two ED lens elements combine to attenuate chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity with high resolution from the center to the corners of the image. The SEL85F18 85mm F/1.8-22 is another lightweight lens. A long focal length lens with close focusing abilities and a high magnification ratio, this macro lens is ideal for making close-up, detailed images of nearby subjects. Even so, the 14-24mm f/2.8 DG DN Art produces unusually smooth blurring at higher apertures, letting you create artistic pieces with ease. And yes, the BOKEH is beautiful. Its maximum aperture of f/2.8 is effective when shooting in low light and allows for shallow depth-of-field focus. Rokinon 100mm f/2.8 Macro ($549): Featuring a macro design, this Rokinon 100mm f/2.8 Macro lens affords a 1:1 maximum magnification ratio along with a minimum focusing distance of 1′. Sony FE 70-200mm f/2.8 GM OSS ($2,598): Pro-grade image quality and build. The ability to switch from wide angle to telephoto without having to change lenses also means that more of those fleeting moments that make great shots will be captured. Best Overall – Tamron 28-75mm F/2.8 Di III RXD, 2. The lens employs dual motors to keep autofocus quiet and on point. Tamron offers a trio of wide-angle primes for Sony full-frame E-mount cameras, with 20mm, 24mm and 35mm focal lengths. Camera News, Rumors & Deals on Camera Times. Required fields are marked *, Subscribe to our newsletter to get interesting stories delivered to your inbox! Let's have a look at a few of my top lenses for landscapes with the Sony A7 series cameras. You might think that Tamron’s lens is flimsy at first because of its light weight. Along with 40 other content providers and colleagues, I was invited to Las Vegas for a secret camera announcement. Sony uses focus-by-wire, so turning the ring will engage a silent motor to adjust the focus rather than mechanically rotate internal parts. Our budget pick is a prime lens with a fixed focal length of 28mm. The wide focal length covers everything from landscapes through portraits to night sky photography, while its consistent maximum aperture of f/2.8 ensures you always have ample light. This is manifested as barrel distortion at 14mm and a slight pincushion effect at 24mm. Bokeh is never going to be a consideration of much importance when purchasing a lens this wide. It’s non-existent at most f numbers and consistent throughout the focal range. Best Wide Angle Prime Lenses for Sony a7 III. The Sony SEL28F20 FE 28mm f/2-22 is an excellent choice for astronomical photography as well since it has above-average coma correction, meaning that stars and planets aren’t distorted. There’s a switch to toggle between focusing modes and a focus lock button. The wide focal range makes Tamron’s lens a versatile performer. Zeiss Batis 18mm f/2.8 ($1,499): Offering incredible sharpness and color rendition, the Zeiss Batis 18mm f/2.8 lens an excellent ultra wide angle prime lens designed specifically for Sony E-mount full-frame mirrorless cameras. Still, keep in mind that RAW photos will retain a hint of edge darkening after correction. Milky way panorama in the Netherlands with the Samyang 14mm f/2.8 on the Sony A7RII. Class-leading size and weight reductions have been achieved while maintaining outstanding optical performance. This being an almost $2000 f1.4 lens, it means two things; it has crazy thin depth of field that is sharp enough to be shot wide open all day long. Wide angle lenses aren’t renowned for their bokeh. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. Vignetting is also a problem at high f numbers. A drive motor handles the autofocus speedily and accurately, so don’t expect the customary sluggishness you’d see from other low-cost Sony lenses. For these combined reasons, the best modern cameras for landscapes are the Nikon D850, Sony A7riii (buy from Amazon here) and Sony A7iii (Buy from Amazon here). Best Budget Lenses for Sony A7III: Our Picks 1. It’s not super sharp, has healthy levels of distortion, and the autofocus is mediocre. You’ll want to avoid compositions that include the sun because of lens flares, but cranking the aperture down to f/22 does produce eye-catching sunstars. Aperture ring designed for still or movie … To be upfront and open, Sony paid our way and provided us with a very jammed-packed few days of using the Sony a7III in real life (or as near real life) situations. Get An internal focus system in which only the middle optical groups move when focusing provides fast autofocus action and a short minimum focus distance of 11″. On the opposite end, 75mm is ideal for portraits and astronomy photos. In addition, the Sony FE 1.4x & FE 2.0x Teleconverters ($548) are specially designed for the Sony FE 70-200mm F2.8 GM & Sony FE 100-400mm f/4.5-5.6 GM OSS Lenses. You can get rid of most lighting discrepancies when editing, but the effect will still be noticeable.

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